
Chloë Whitehorn
Interviews & Features
Interview with the Cup and Saucy Books Podcast
Playwrights' Guild of Canada Featured Playwright
Playwrights' Guild of Canada's Follow the Playwright
Playwriting Review Links
The Fall After Midsummer Review (Intermission Magazine)
The Fall After Midsummer Review (Kingston Whig Standard)
Emotionally Riveting Blood River (Kingston Theatre Alliance review)
Blood River Engages Complexities in Abortion Decisions (Queen's Journal)
Compelling Performances Drive Theatre Kingston's Blood River (Kingston Whig Standard review)
It’s not about abortion: Chloë Whitehorn on writing ‘Blood River’ (Kingston Theatre Alliance)
Mourning After the Night Before (One Big Umbrella)
Mourning After the Night Before 2019 Fringe Review (Mooney on Theatre)
Divine Wrecks: A galvanizing production showcasing one of the greatest taboos (Theatre Reader)
Divine Wrecks one of the TOP TEN shows of 2015
Plotting cold, sweet revenge in the darkly funny, chilling The Pigeon (Life With More Cowbell)
The Pigeon: New, Exciting Play for Mature Audiences (Mooney on Theatre)
Acting Reviews
"Played by Chloë Ariane Whitehorn, Penelope is a formidable and vulnerable queen. In her opening scene, I wondered if Whitehorn would be able to play Penelope as deeply as the character deserves, but I needn’t have worried. Whitehorn’s Penelope is a gracious, stoic, brokenhearted woman, someone who’s holding it all together but is tired of waiting on a man who may now be nothing more than a ghost.
Whitehorn draws the audience into the life of the wife left behind and she manages to give some history to the story without seeming obvious about it. Her love for both her husband and son is palpable and Whitehorn is believable as the proud and disappointed queen of Ithaca." --Queen's Journal review of The Odyssey